Surprisingly, and fortunately for me, this did not happen. I also thought that, like with most other scripts, the process would regularize itself after a while and be reduced to a mechanical habit. All of this has been tied together with OpenType and tested thoroughly within today’s standard design and desktop publishing software.Īfter working with digital scripts for so long, at one point I thought that Burgues Script would become a bit of a chore to complete.
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To this end, many ligatures and swashes were made, as well as full flourished sets of letters for use at the beginnings or endings of words and sentences. I did have to change many of the letters in order to be able to produce digital calligraphy that can flow flexibly and offered the user a variety of options, while maintaining its attractive appearance.
These two references were the cornerstone for the concept I was trying to work with. Jones’s Lessons in Advanced Engraver’s Script Penmanship by L. The two main sources for Burgues were the calligraphy examples shown in Zaner Bloser’s The Secret of the Skill of Madarasz: His Philosophy and Penmanship Masterpieces, and C. I hope you, visual poet, find my persistence justified in this case. And occasionally, the poet gives in to the persistence. Once in a while, the assistant persists on what the subject of the poem will be. My work consists of letters drawn to fit together, that become an element of someone’s visual poetry. If I was an actual poet, my words would be about things I desire but cannot attain, objects of utter beauty that make me wallow in humility, or people of enormous talent who look down at me from the clouds of genius.īut I don’t write poems. I use the word ‘ode’ in a colloquially ambitious manner. His talent has caused some people to call him “the most skillful penman the world has ever known.” Burgues Script is an ode to the late 19th century American calligrapher Louis Madarasz, whose legendary pen has inspired schools of penmanship for over 100 years.
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